偶就是不一樣X楊輝 How to create a world in one hand X Yeung Faï 【NTCH togo】
「許多很現代的東西,我都在傳統文化中找到答案。」
「偶本身是想像出來的東西,它的空間比其他的藝術還大。」
離開家鄉,帶著木偶去流浪,對楊輝來說,偶戲是人類共同的智慧,不屬於任何國家或民族。一踏步、一擺頭,戲偶的喜怒哀樂隱藏於體型變換之中,看他如何操弄手中戲偶,揉和西方現代戲劇於中國傳統藝術,發展出獨樹一幟的偶戲美學。
Puppeteer, YEUNG Faï, left his hometown with his puppets. For him, puppet theatre belongs to all, and not exclusively to any nation.
Puppets calls upon our imagination, allowing more space than other artistic expressions. See how a world is created within his hands, where traditional Chinese puppetry is joined by the modern theatre in the west, and blooms into a puppet theatre that is distinctively his.
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楊輝 Yeung Faï
於中國大陸出生,為家族第五代布袋戲傳人,在1989年出走南美、歐洲,技藝獲得國際肯定,作品包含《操偶師的故事》、《牛仔褲》,內容體現人性與全球議題,並多次在國際巡演。
“Gonna_Start_Version_2” © YouTube audio library
“Fives” © Podington_Bear , (P) Chad Crouch, COMPOSER: Chad Crouch, PUBLISHER: Victrola Dog (ASCAP))
(http://freemusicarchive.org/music/Podington_Bear/Building/Fives)
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